ambassador of Apprentice Master
Every year Kunstpodium T invites a Yearmaster that curates the list of selection for the Apprentice Master project. The managing director and Yearmaster select the Masters and pair them with the selected Apprentices. The groups are formed based on portfolios and a video presentation the Apprentices make before the start of the season. In forming the groups, work process, artistic discipline and subject matter are taken into account. The groups challenge each other, question each other and show the diversity of the visual arts.
Yasser Ballemans | 2021/2022
Anya Janssen | 2020/2021
Niek Hendrix | 2019/2020
Danielle Lemaire | 2018/2019
Niels Post | 2017/2018
Kees Koomen | 2016/2017
Thom Puckey | 2014/2015/2016
Karin van Pinxteren | 2013/2014
Iris Bouwmeester | 2012/2013
Stijn Peeters | 2011/2012
René Korten | 2010/2011
Michael de Kok | 2009/2010
Guido Geelen | 2008/2009
Yearmaster 2020/2021: Anya Janssen
‘Those who see the paintings of Anya Janssen, thinks about cinema: Her elusive, ambiguous images look like scenes from a movie that is vaguely familiar to us, but of which we have forgotten the plot. Janssen does not want to tell a clearly defined story or capturing a fleeting moment, but rather to touch upon the unknowable world that hides behind the perceptible. Underneath the virtuously painted surface of her paintings, she makes an unstable reality tangible, where everything undergoes an ongoing metamorphosis. A world that does not confine to the symbolic order or language, and where living and liveless, good and evil, blossom and decay, present and past are not contradictions but manifestations of the same thing. A reality that stays hidden for us, but of which we can catch a glimps through the aesthetic persuasiveness of her work.
– Harma Heikens, 2020
Yearmaster 2021/2022: Yasser Ballemans
Yasser Ballemans about his focus as Yearmaster of the Apprentice Master season 2021/2022: ‘For this project I invite artists to give space to imagination, play and generosity. To make materials and ideas your own and to look for things in places that you cannot access. To play with curiosity what leads to shared experiences, and to share generous strategies that make the unimaginable possible.’
Yasser Ballemans (Breda, 1981) is interested as a visual artist in the role of art in rituals, like parades, campfires, carnivals and memorials. He researches how ornaments, embellishments and ‘oldf-fashioned’ techniques can be used in a contemporary way. Monumental statues in the public space are among others in Rotterdam, Amsterdam, Nieuwegein, Utrecht and in the Palace of Justice in Arnhem. Ballemans received his BFA in 2005 from art academy AKV/St. Joost (Breda), graduated in 2007 (MFA) at the Sandberg Institute (Amsterdam) and followed the Mr Miyagi Curators Master Class by Showroom MAMA Rotterdam in 2005. He lives and works in Amsterdam.
Ballemans has had several solo-exhibitions, at Museum de Fundatie (Heino), Onomatopee (Eindhoven), Park (Tilburg) and Gallery Joey Ramone (Rotterdam). In addition his work was shown in group exhibitions in a.o. China, Curaçao, England, France and South Korea. In the Netherlands he participated in group shows at a.o. Beeldhalwerk, SMBA, W139 and the Afrika Museum. Next to his work as visual artists, Ballemans has worked as curator, entrepreneur, teacher and mediator in the artworld. He was involved as an advisor at TENT, as curator at Kunstvlaai, founder of exhibition platform KOP in Breda and was involved for years in the work of artist Jeanne van Heeswijk. He worked as a curator at a.o. Blauwe Huis and as producent and mediator for Freehouse and Face Your World.